Friday, 27 January 2012
Thursday, 26 January 2012
Wednesday, 25 January 2012
A repost from Gurney
I was reading Gurney's blog today and came across this article:
I'm not sure what to think. I don't buy the implicit prejudice that the original work these Chinese painters produce would be of dubious quality simply because they are not living in France or Amsterdam in 1890. In one image they also insultingly refer to original portraits as Kitsch - I guess the art academics from 1920 have truly won in their effort to convince everyone that avant garde art is the only thing of any value.
It is definitely scary that so many artists work for so little.
Monday, 23 January 2012
A quick link
While browsing the web I just found the following:
I need to download the iphone app later
Monday, 9 January 2012
A few tips
I ran into John yesterday at W.H. Smith while browsing through the magazines looking for Imagine FX. We ended up talking about atmospheric effects and colour shifting.
John made a good observations about colour temperature and how to increase the intensity of a light using hue and saturation shifts.
The basic idea is that as things get hotter you should shift hue towards yellow. For instance, a hot red would start as 100% saturation dark red. Then decrease the saturation a bit, increase the value a little and shift the hue towards yellow for a mid orange. At the hottest point it would be a much lower saturation but very high value yellow. We grabbed a coffee and ended up comparing the techniques while doing quick digital sketches of a green neon sign - the results are fairly dramatic and proved the point.
John also talked about the effect of "white balance" on our eyes. Our brain is colour correcting for the environment around us, which explains why shops appear to use coloured lights when viewed from the street but the light looks white when you go inside.
The blue highlights in the hair in my image below is the same thing. I wondered at the time where the blue was coming from because the model was in a white room without a significant blue bounce source (white walls, incandescent lights). The light was most likely white but colour correcting for the yellow light source shifted this to blue.
When doing a digital portrait consider the colour of the shirt the person is wearing. This should be a bounce light colour.
Wednesday, 4 January 2012
Saturday, 31 December 2011
A few more artists
Winslow Homer
Eastman Johnson, especially "Cranberry Harvest"
George Caleb Bingham - "Fur Traders"
John Singer Sargent's painting called "The Daughters" looks amazing. I think Madame X is incredible and I might see if I can paint a similar pose one day.
Childe Hassam "Rainy Day" reminds me of Richard Estes but in 1885
Andrew Wyeth "Tenant Farmer"
Norman Rockwell
Charles Bell "Sixteen Candles"
Ralph Goings
Richard Estes "Downtown"
Steve Hawley "Descent from the Cross"
John Nava "2nd of May, Los Angeles"
Wednesday, 14 December 2011
Gammel, Gurney, and Random Thoughts
Today I read a few interesting things about Gammel and the death of academic painting in the 20th century.
Gammel wrote a book lamenting the loss of technical ability caused by the impressionist war on the french academy.
Since I study at an Atelier you can probably guess my position ;)
Gurney posted a few more interesting things about forgotten artists
Thursday, 8 December 2011
Francis Oneil's Dec 8th
Friday, 11 November 2011
Saturday, 1 October 2011
Wednesday, 21 September 2011
Lavender Hill Day 1
A few brief notes of things I learned yesterday
When boxing in the form always start with the top and bottom, then draw the left and right lines to get the proportions correct.
Sculpt when dividing the form
Don't go through the figure when sculpting the shape
Hold charcoal on its side and stand back further - clean smooth motions
Use an economy of straight lines when dividing the space. No curves for now
Movement and motion comes from lines off the horizontal and vertical
Wednesday, 14 September 2011
Saturday, 23 July 2011
Thursday, 7 July 2011
Francis Oneil's class
Sunday, 3 July 2011
A few great artists

William-Adolphe Bouguereau
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