Thursday, 30 June 2011

The results from about 1.5 hours at Francis Oneil's class today. I figured I would post this directly without any cleanup. I might see what I can do with another hour working from memory.

Thursday, 23 June 2011

This girl was sitting beside Alan and I at the Turf on Sunday. Trying to get a likeness on computer without someone noticing can be tricky, so I had to make up the majority of this from memory and only glance over occasionally for reference of broad feeatures. I started to over work this as well so I am posting it now. About 3 hours in total, which is way too much time for this stage.

Saturday, 18 June 2011

Another sketch from imagination. I started to over work this so I am posting it now so I can move on

Thursday, 16 June 2011

The results of 1.5 hours at Francis Oneil's class tonight. I think I might be getting a little faster since I didn't feel the urge to spend ages correcting this sketch.

Monday, 13 June 2011

Another image from imagination. I adjusted brightness and contrast to save the original composition early in the painting process. About 3 hours total on this one.



Sunday, 12 June 2011

This was a 30 minutes sketch of a girl sitting near me in the bear. I rotated her mentally to a straight profile view and changed the lighting slightly to get the basic tonal drawing. I refined this for another 20 minutes at the half moon while listening to folk music. Normally I am a bit disappointed with my digital work, but this one seemed to work out well.
This is the result of a new 2 hour exercise I am trying. I glanced at someone walking by and tried to memorize as much about their appearance as possible. I then moved to a rough tonal sketch and finished things off by referring to Loomis for any mistakes with features.



Thursday, 28 April 2011

Saturday, 19 March 2011


a 15 minute speed paint




Another Ashmolean sculpture

Sunday, 13 March 2011

A two hour painting of a sculpture at the ashmolean. I got into a long conversation about CAD software with a random person who stopped to see what software I was using. He said that he was a fan of sketchbook pro. It is funny how sometimes it seems that everyone is an artist.

Sunday, 21 November 2010

Natural History Museam - Stuffed Fox


This fox looks really stiff and lifeless (somthing which Luke mentioned instantly), but I can forgive myself this result since it was stuffed. It took about an hour. The legs and base are so bad that I can't bring myself to even post the whole image....

Natural History Museam - Mouse


I was going to sketch a few skeletons with pencil and paper, but this stuffed mouse caught my attention. I ran out of power after about 45 minutes, but spent about 10 minutes cleaning this up in a coffee shop

Frances Oneil's class


Another portrait from Frances Oneil's class. This was about 1.5 hours followed by 20 minutes cleaning things up.

Frances Oneil's class - portrait


I arrived a bit late, so this was about 1.5 hours in class. I wanted to see how far I could correct things from memory, so I spent about 2 more hours in a coffee shop working on this without reference.

I read a useful tip that might be of interest to other digital painters. Try saturating your main skin color layer a little more than you usually would, and then add a new layer. Pick a low opacity airbrush in a dull grey / beige and paint over the saturated skin with the dull color. It gives the image a little more life (you can think of it as a layer of dead skin cells masking the more intense skin tones).

15 Minute Jam Factory


This was a quick 15 minute digital sketch from a 30 minute pose. My laptop spent 15 minutes installing updates and then reverting the changes, which meant I didn't get this very far before time ran out. I might try finishing it later as a challenge of working without reference.